The Official Bitcoin Revolution Website

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Want to learn how to design a logo? A good overview for matching typefaces. Big congrats to St. Aloysius Detroit for their new visual identity! It was a pleasure working on this alongside the Archdiocese of Detroit and seeing it out in the world. This project has been in the works for some time now, but the timing for the launch in the midst of the pandemic could not be better. This one was inspired by the Basilica’s Art Deco architecture, and its characteristic tower. In the midst of these crazy days, some good news for the quarantined: Brandon Vogt and his best friend Fr. Blake Britton just launched this new podcast, whose logo and basic branding I had the pleasure to address!

typographic matchmaking in the city

My first discoveries One of the first impressions I got of the Typographic Matchmaking, was an image of a huge three-dimensional shape with letters that I did not manage to read. The shape proved to be a mixture of both Latin and Arabic words, translating each other and forming a common text. As a matter of fact, it was a construction of the type font StoryLine, and one of the outcomes of the Typographic Matchmaking 2.

The project The first initiative to the Typographic Matchmaking took place in , the second in

Here, the focus is to bring the marriage between Arabic and Latin writing cultures to the three-dimensional city. Huda Smijtshuizen AbiFarès.

To browse Academia. Skip to main content. Log In Sign Up. Unfollow Follow Unblock. Other Affiliations:. I then engage with recent analyses that identify in WeChat traits typical of digital and social infrastructure. Which affordances does it provide, and how? Doi: View on jstor.

EVENT: Typographic Matchmaking in the City at Creekside, Dubai

The concept is based on design as a tool to break down borders and transform society for the better, exploring the boundaries of the world we live in though design and visual communication. Creative values are humanitarian values Ideas, curiosity and dreams need no passports, papers or travel permits. Ideas born in one place can have massive impact on the other side of the planet. This fluid transmission of culture and knowledge builds the world we live in.

‘Typographic Matchmaking in the City’ is a documentary about an urban typographic research project investigating new approaches for bilingual lettering and.

Design is the method of putting form and content together. Design, just as art, has multiple definitions; there is no single definition. Design can be art. Design can be aesthetics. Designing for multicultural environments always has one typographic problem and that is visual consistency, how can you have consistency when you are interacting with two very different scripts, latin and arabic. Just focusing on contemporary design in the Arab world which a multicultural environment with places like Dubai and Saudi Arabia, how do designers deal with the bilingual design.

This book is an introduction to visual consistency in design that involves latin and arabic, how the scripts can be altered in to working together as one, focusing just on the type. Also looking at the typefaces produced by the Khatt foundation and their outcomes of attempting to create a typeface that works in two very different scripts. It also includes interviews from Lara Assuoad Khoury, a designer who was involved with the first typographic matchmaking project.

Craig Falconer the creative partner of North55 has also answered a few questions on the matter of consistency in design. One of the main reasons for this book was to set out a challenge, the last part of the research document is a brief which is to experiment with bilingual design.

Typographic Matchmaking in the City

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Typographic Matchmaking in the City pro- beert ‘de stad Matchmaking in the City is opgenomen op verschillende ‘making of’ documentary film Typographic.

Reservation is required. RSVP: khatt. The Typographic Matchmaking in the City project is a design research project investigating new approaches for bilingual lettering and poetic narrative for public space. The project have proven to be highly inspirational for the participating designers; it brought together designers from different cultural backgrounds to intensely collaborate, over a period of 2 years, on creating coherent products with groundbreaking results. This project shows the important role that design can play in initiating cultural change, assimilation and integration—by simply using our daily basic communication mode: the written word.

A documentary film directed by Jan de Bruin Jan de Bruin Productions and the Khatt Foundation Shot on several locations in Amsterdam, Dubai UAE , Sharjah UAE , Pingjum Friesland , and Doha Qatar , Typographic Matchmaking in the City : the Film follows the 5 teams of Dutch and Arab designers that participated in the project over a period of 18 months while they were traveling, working together, and presenting their work in progress to culturally and professionally diverse audiences.

The film makes visible not only the design process, the struggles and challenges of the designers, but also addresses the larger topics of bringing two cultures into a dialogue through design. The personalities of the designers show through their collaborative process, discussions, interactions and the final design outcomes. The Typographic Matchmaking in the City book offers a highly illustrated account of the project and the design research of each of the 5 teams.

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Charles Manson feature documentary. We’re a documentary production company, Spiritlevel, that specialises in arts and history feature docs. We need artwork for a new documentary looking at the musical dreams of Charles Manson, and how his failure to make it as a rock star led to the crimes that defined him. Uploaded are some images of Manson and the counterculture – we have licensed these from Getty Images as part of our license agreement for the documentary.

We can iuse a combination of up to 6 images within this montage.

as the ‘Typographic Matchmaking‘ project) that have caught the imagination of young Arab designers. It has forged creative networks across national borders.

Aslon Arfa has recently published a book of his photography documenting crack addicts in Iran called Black Crack in Iran. Some of the images are of people getting high, some post-high, some in search of a high. Others document tattoos, living conditions, and even public execution. The introduction to the book notes the difficulty the photographer had in gaining trust and access, but nothing about whether that trust was then compromised in publishing these photos.

Needless to say, an academic would almost never be able to publish identifiable images of addicts in compromised states and I have chosen not to reproduce them here because there is no guarantee that the person being photographed is able to give informed consent, nor can the academic guarantee their safety post-publishing.

But there are no ethics review boards to which photojournalists and documentary photographers must adhere, and that often allows them to embark on issues of humanitarian and social concern in more direct and visual ways. Given these dueling motivations for protection of subjects and for awareness-raising of their plight , what do you think of the ethical implications of doing this kind of work?

Source: iranican. The account of young Atafeh Nikohl Boosheri falling in love with fellow schoolgirl Shireen Sarah Kazemy — before being pulled apart by events — will draw invites from fests including generalist and gay-lesbian events. Pic has been picked up for U. We invite you to meet women behind the poetry project, see the work in progress, and enjoy refreshments with us at 10 Grand Press.

Masoumeh Seyhoun, who opened and ran the first and most influential modern art gallery in Tehran during the ss.

Type specimen

Just like the first Typographic Matchmaking project, there are 5 teams of matched designers, only this time there architects are on board, along with major new ingredients. This time as well, my friend Khajag Apelian and I, are both part of 2 of the teams in the project. What remains the same: -5 teams of designers from Europe and the Middle east -The aim is to create 5 pairs of matching Latin and Arabic typefaces -Showcase the result in a book and an exhibition typographic Matchmaking , El Hema.

Both the film feature and the book are to represent means of exploring the project as a creative process and and a showcase for the outcome. Amsterdam February 09 was the first meeting during which the teams explored Amsterdam. The trip included launching the project, briefing the teams, discussing the general concept and requirements.

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